Fonts Available in Squarepace and Canva (Complete List)
Written by Casey Botticello
Disclosure: Some of the links below are affiliate links, meaning that at no additional cost to you, I will receive a commission if you click through and make a purchase. For more information, read our full affiliate disclosure here.
Great graphic design is powered by great font selection. But picking great fonts is a challenge most people. Especially when you are trying to match fonts from two different platforms. Canva is the leading graphic design tool used by many creators. Squarespace is a leading website builder also used by many creators. So for many bloggers concerned about brand continuity, the question of what fonts are on Squarespace and Canva is of critical importance. This article will cover all of the fonts available in Squarespace and Canva.
A Complete List of All Fonts Available in Squarespace and Canva
ABeeZee
ABeeZee is a children’s learning font. Open, friendly, and simple, the definite shapes support the process of learning to read and write. The italic carefully reminds young readers of fluent writing movements and inspires them to create their own unique handwriting.
Abril Fatface
Abril Fatface is inspired by the heavy titling fonts used in advertising posters in 19th century Britain and France. The thin serifs and clean curves lend the typeface a refined touch that gives any headline an elegant appearance. The Extended Latin character set supports over 50 languages, including those from Central and Northern Europe.
Advent Pro Medium
Advent Pro Medium is a modern font designed for web and print. Advent Pro utilizes some of the universal characteristics of the sans-serif genre with modern characteristics to give an edge to your typography.
Aileron Regular
Aileron Regular is a sans serif font which adds my own interpretation of a typeface classified as Neo-Grotesque including Helvetica.
Alef
Alef is an open-source multi-script Webfont that supports both Latin and Hebrew. Alef was born on the screen and designed to the pixel in an attempt to extend the palette of Hebrew fonts available for web design and especially to challenge the only default, Arial.
Alegreya
Alegreya is a typeface originally intended for literature. Among its crowning characteristics, it conveys a dynamic and varied rhythm that facilitates the reading of long texts. Also, it provides freshness to the page while referring to the calligraphic letter, not as a literal interpretation, but rather in a contemporary typographic language.
Alfa Slab One
Alfa Slab One is a contemporary take on the Six-lines Pica Egyptian created by Robert Thorne for the Thorowgood Foundry in 1921. Although initially based on that model, Alfa Slab One was designed with an extreme stem weight, big serifs, more stem contrast, and gradual terminals with a single serif. All these attributes give Alfa Slab One a contemporary look with extreme black density.
Alice
Ksenia Erulevich, the designer of the Alice typeface, was inspired by Lewis Carrol’s novel and decided to make a typeface that will be suitable for typesetting that book.
Allerta Stencil
Allerta was initially developed for use in signage, designed to be easily and quickly read from a distance. Each glyph exploits the unique aspects of the individual letter so that each can be easily distinguished from any other.
Allura
The casual characters of Allura are simple, clean, and very legible. The script and formal sets offer a softer, more formal look.
Allura was designed with advertising, display, and package design in mind. This OpenType Pro version of Allura combines all three styles along with extra alternate glyphs and flourished graphics to give designers maximum flexibility.
Amaranth
The Amaranth family is a friendly upright italic design with a slight contrast and distinctive curves. With its three new styles, Amaranth is healthy for all your texts too!
Amatic SC
Amatic SC (Small Caps) is a simple but effective hand-drawn Webfont. It can be used for titling and small runs of text. It was initially designed by Vernon Adams and conceived to be used freely across the internet by web browsers on desktop computers, laptops, and mobile devices.
Amiko
Amiko is a clean and utilitarian Devanagari and Latin typeface family, specifically designed for maximum legibility at the smallest possible text sizes. It is intended for body text on the web and low-resolution screens. It was designed in a studio collaboration by Pablo Impallari, Rodrigo Fuenzalida, and Andres Torresi.
Andika
Andika is a sans serif, Unicode-compliant font designed especially for literacy use, taking into account the needs of beginning readers. The focus is on clear, easy-to-perceive letterforms that will not be readily confused with one another.
Anonymous Pro
Anonymous Pro is a family of four fixed-width fonts designed especially with coding in mind. It is inspired by Anonymous 9, a freeware Macintosh bitmap font developed in the mid-’90s by Susan Lesch and David Lamkins, that was intended as a more legible alternative to Monaco, the fixed-width Macintosh system font.
Antic
Antic is the result of studying calligraphic forms and is designed to be used for running text. This started two big text-type family projects and this is the first one. Antic explores the use of sans-serif letterforms for text usage, keeping a calligraphic touch found in the serif counterpart, Clark. The letterforms have eight-degree stress, which is almost the same degree as my own handwriting.
Antic Didone
Antic Didone was designed for use in the headlines of newspapers and magazines. The Antic Type System is a superfamily that is still evolving, and this first release of the Didone family. It complements the Sans and Didone versions, giving the designer freedom to create rhythmic and dynamic typography using all three families in the type system.
Anton
Anton is a reworking of a traditional advertising sans serif typeface. The letterforms have been digitized and then reshaped for use as a Webfont, the counters have been opened up a little and the stems optimized for use as bold display fonts in modern web browsers.
Arapey
Arapey (Ah-ra-pay) is a contemporary modern typeface with some features of a Bodoni, but the structures, soft lines, and finishes leave a calm and distinguished feeling. The first sketches were made during a vacation in Arapey, a small town in the north of Uruguay. The italics are gentle, and rhythmic, and bring a special glamor to both text use and titles.
Arbutus Slab
Arbutus Slab is a sturdy, medium contrast, slab serif typeface inspired by 18th and 19th American jobbing types. The generous spacing found in this design means that it can be used in fairly small sizes which makes it surprisingly versatile.
Architects Daughter
Architects Daughter was inspired by the writing of the daughter of an architect (surprise, surprise!), this font incorporates the graphic, squared look of architectural writing, combined with the natural feel of daily handwriting.
Archivo Black
Archivo Black was designed to be used simultaneously in print and digital platforms. The technical and aesthetic characteristics of the font are both crafted for high-performance typography. It was designed to be used simultaneously in print and online platforms and supports over 200 world languages.
Arima Madurai Light
A display font with soft edges and a calligraphic feel is the main inspiration for the Arima project.
It has a low contrast to allow good rendering on screen. Legibility is always a central concern, but the design has a lot of personalities to be recognizable as a display font to be used in headlines, brand names, and similar uses on the web.
Arimo
Arimo was designed by Steve Matteson as an innovative, refreshing sans serif design that is metrically compatible with Arial™. Arimo offers improved on-screen readability characteristics and the pan-European WGL character set and solves the needs of developers looking for width-compatible fonts to address document portability across platforms.
Arvo
Arvo is a geometric slab-serif typeface family suited for screen and print. The family includes 4 cuts: Roman, Italic, Roman Bold, and Bold Italic. It is a libre font, first published in Google Fonts. The flavor of the font is rather mixed.
Asap Regular
Asap (“as soon as possible”) is a contemporary sans-serif family with subtle rounded corners. This family, specially developed for screen and desktop use, offers a standardized character width in all styles, which means lines of text remain the same length. This useful feature allows users to change type styles on the go without reflowing a text body.
Asset
Asset was inspired by the engraved letters found on United States dollar bills. Asset belongs to the “fat face” category because it is so bold or heavy. It is also a high contrast design and very extended or wide. Although it is legible at medium sizes it will shine most when used largely where both its restraint and passion can be seen. This font was made specifically to be used on the web but will work well in print.
Assistant Regular
Assistant is a Hebrew and Latin type family, with a contemporary sans serif Hebrew design. The family contains 6 upright styles, from ExtraLight to Black.
Athiti Regular
Athiti is a Thai word for the Sun, and it is an informal sans Latin and loopless Thai typeface. The friendly personality is based on humanist calligraphy, and has an organic look and feel while preserving the traditional construction of the Roman type. It all started with a desire to learn more about the origin of strokes in human handwriting. It is designed to reflect a trace of writing tools and convey its inspiration. The family consists of 6 weights that can be used in headlines or body text.
Atma Medium
Atma is an original Bengali and Latin typeface family with a fun and informal feeling. Bengali and Latin were developed in parallel as a studio collaboration by Jeremie Hornus, Gregori Vincens, Yoann Minet, and Roxane Gataud.
Bad Script
Bad Script started from a simple six-letter logotype and developed into a separate font, supporting Latin and Cyrillic character sets. It was completely made using a tablet to imitate casual and neat handwriting. Designed to resemble the designer’s own handwriting, while making it systematic and smooth.
Baloo
Baloo is a distinctive heavy spurless design with a subtle tinge of playfulness and all the bare necessities of type. Snuggling several scripts under a single weight, the typeface focuses on giving equal justice to every act of this gentle jungle affair to secure single and multi-script use. Carefree yet confident, warm yet entertaining, sprightly yet intelligible, Baloo infuses life everywhere it goes.
Bangers
Bangers is a comic book-style font that packs a punch! It was designed with the style of mid-20th century superhero comics cover lettering in mind.
Bebas Neue
Bebas Neue is a display family suitable for headlines, captions, and packaging, designed by Ryoichi Tsunekawa. It’s based on the original Bebas typeface. The family is suitable for pro users due to its extended character set and OpenType features.
Belgrano
Belgrano is a slab serif type designed initially for printed newspapers. It has been adapted for use on the web, with coarse terminals and larger counterforms that mean it works well in very small sizes.
Belleza
Belleza is a humanist sans serif typeface inspired by the world of fashion. With classic proportions, high contrast in its strokes, and special counters, it provides a fresh look that reminds readers of elegant models and feminine beauty.
Bentham
Bentham is inspired by the lettering of nineteenth-century maps, gravestones, and the maker’s plates of cast-iron machinery. It is characterized by expressive, flowing, and bulging curves, mannered awkwardness, and the bobbles on the terminals of its characters.
Berkshire Swash
Berkshire Swash is an alluring semi-sweet typestyle with a bold yet feminine flair to it.
Bevan
Bevan is a reworking of a traditional slab serif display typeface created by Heinrich Jost in the 1930s. In Bevan, Jost’s earlier letterforms have been digitized and then reshaped for use as a Webfont, the counters have been opened up a little and the stems optimized for use as bold display fonts in modern web browsers.
Bitter
People read and interact with text on screens more and more each day. What happens on screen ends up being more important than what comes out of the printer. With the accelerating popularity of electronic books, type designers are working hard to seek out the ideal designs for reading on screen.
Black Ops One
Black Ops One is low contrast, semi geometric typeface inspired by military stencil lettering. It is heavy, sturdy, punchy, and looks best when used in medium to large sizes because of the small cuts found in stencils.
Bree Serif
This friendly upright italic is the serif cousin of TypeTogether’s award-winning family Bree. Designed by Veronika Burian and José Scaglione, Bree was originally released in 2008 and became an immediate success because of its originality, charming appearance, and versatility.
Buenard
Buenard is a high-quality serif typeface for art books. It’s based on the Transitional Roman classical structure, with less contrasted strokes and heavier serifs.
Bungee
Bungee is a font family that celebrates urban signage. It wrangles the Latin alphabet to work vertically as well as horizontally.
Bungee Outline
In the crowded urban environment, the space for signage is always at a premium. From dumpy liquor stores to majestic theaters, sometimes signs have nowhere to go but up. Bungee is a font family that celebrates urban signage. It wrangles the Latin alphabet to work vertically as well as horizontally.
Bungee Shade
In the crowded urban environment, the space for signage is always at a premium. From dumpy liquor stores to majestic theaters, sometimes signs have nowhere to go but up. Bungee is a font family that celebrates urban signage. It wrangles the Latin alphabet to work vertically as well as horizontally.
Cabin Regular
Cabin is a humanist sans inspired by Edward Johnston’s and Eric Gill’s typefaces, with a touch of modernism. The cabin incorporates modern proportions, optical adjustments, and some elements of the geometric sans. It remains true to its roots but has its own personality.
Cabin Sketch
The Cabin Sketch font is a humanist style inspired by Edward Johnston’s and Eric Gill’s typefaces, with a touch of modernism.
Cagliostro
Cagliostro was inspired by the early 20th Century lettering work of Ozwald Bruce Cooper. Care was taken to preserve the original hand-lettered feel of his work while updating the style for modern use. The x-height was increased from the original style and some of the more quirky aspects were toned back. The result is a very handsome and unique sans that is very useful for titles and short blocks of text.
Cairo Regualr
Cairo is a contemporary multilingual typeface family. Mohamed Gaber extended the Latin typeface family Titillium Web to support the Arabic script, with a design that is based on the Kufi calligraphy style. Now available as a variable font.
Candal
Candal is an original and fun sans serif type design by Vernon Adams which was inspired by historical types.
Cantata One
Cantata One is a high contrast extended Didone style text face. In addition to being useful in medium to large text sizes, Cantata One is meant to evoke luxury when used in display sizes. Cantata One was originally inspired by handwritten letters made with a pointed pen on an old handmade map of New York City.
Capriola
Capriola is a sans-serif typeface who’s unique style draws upon forms seen in handwriting and italic types. Skeletons of the most characteristic glyphs are inspired by quick handwriting and are based on a single hand movement (G, a,g,k,e). Capriola ambitiously seeks to push the boundaries of originality in the genre without losing legibility.
Cardo
Cardo is a large Unicode font specifically designed for the needs of classicists, Biblical scholars, medievalists, and linguists. It also works well for general typesetting in situations where a high-quality Old Style font is appropriate.
Carter One
Carter One is a reworking of particular casual type forms that were popular around the mid 20th century, often found used in advertising or pulp fiction book covers. The letterforms have been reshaped and digitized for use on the web, such as opening up the counterforms a little and optimizing the stems for use in display typography.
Caveat
Caveat is a handwriting-type family designed by Pablo Impallari. It is designed for both short annotations and body text usage.
Caveat Brush
Caveat Brush is a handwriting-type family designed by Pablo Impallari. It is designed for short annotations.
Chango
Chango is a display face based on letters drawn by Mexican illustrator Ernesto “Chango” García Cabral. It’s big and heavy, ideal for head-line body sizes with a humorous touch.
Chathura Regular
Chathura was developed initially as an ASCII font in 2009 in the Ezi Fonts collection, which consists of 42 Telugu ASCII fonts. In 2015 Chathura was developed into a Unicode font family with support for Telugu and Latin. The design is useful for invitations, and headings, in print and on the web. Each letter has rectangular forms and a uniform stroke thickness.
Chau Philomene
Chau Philomene One is one of four families within the Chau superfamily. Hardy, ideal for headings and highlighted text, with narrow letters and sharp angles that have a distinctive personality.
Chewy
A font you can sink your teeth into. And unlike all those tasteless fonts, Chewy never loses its flavor! Chewy is sealed for freshness in an easy-open package. Be sure to sample Squid’s other main courses and side dishes!
Clicker Script
Clicker Script finds its inspiration from RCA Records Stereo Action Series from the 1960s. This signature elegant yet slightly bouncy script truly sings and lends a happy-go-lucky flavor to any design.
Cinzel
Cinzel is a typeface inspired by first-century roman inscriptions and based on classical proportions. However, it’s not simple revivalism, while it conveys all the ancient history of the Latin alphabet it also merges a contemporary feel onto it.
Coiny
Coiny is a typeface designed originally for the Latin and Tamil scripts in parallel. Naturally bold, and born on the street to shine on screen. It has a structure based on simple geometrical shapes and is inspired by the vernacular designs seen around every big city. The forms are similar to those found with writing made with a rounded brush point. It is a lot of fun for titles and headlines.
Comfortaa Light
Comfortaa is a rounded geometric sans-serif type design intended for large sizes. It is absolutely free, both for personal and commercial use.
Coming Soon
Coming Soon by Open Window is based on the handwriting from mom when she was in 6th grade. Solid balance, masterful strokes, and just a touch of the lemonade stand for good measure!
Contrail One
Contrail One is based on handmade sans-serif letters seen on UK posters. The slight slant and bouncy quality suggest the emerging jet age and a state of excited anticipation. The rounded corners give it an approachable friendly feeling. As a low contrast design, it is suitable for use in medium to large sizes, including headlines. This font was made specifically to be used as a web type.
Corben
Antic is the result of studying calligraphic forms and is designed to be used for running text. This started two big text-type family projects and this is the first one. Antic explores the use of sans-serif letterforms for text usage, keeping a calligraphic touch found in the serif counterpart, Clark. The letterforms have eight-degree stress, which is almost the same degree as my own handwriting.
Cormorant Garamond MC
Cormorant is a free display type family developed by Christian Thalmann. The project currently comprises a total of 45 font files spanning 9 different visual styles and 5 weights.
Cormorant SC Medium
Cormorant is a free display type family developed by Christian Thalmann. The project currently comprises a total of 45 font files spanning 9 different visual styles and 5 weights.
Courgette
Courgette is a medium-contrast, brushy, italic-script typeface. The genre is traditionally used at large sizes but Courgette was carefully made for the web, with low stroke contrast that works well in smaller sizes and even in text.
Courier Prime
Courier Prime is a new take on IBM’s Courier which was designed in 1956 by Howard Kettler.
Coustard
Coustard is a display and text serif Webfont designed to be used freely across the internet by web browsers on desktop computers, laptops, and mobile devices.
Crafty Girls
Crafty Girls is inspired by crochet hooks, yarn, button boxes, thread, and glitter. This delightfully playful casual handwriting script font was hand-drawn by Crystal Kluge and makes the perfect complement to all your projects. Use it in your very best creative projects, then blog about them in the same font!
Crimson Pro
Crimson Pro is a serif typeface family: Contemporary, clear, classic, and rounded/open. Something for a college textbook, editorial websites, and any reading experience with book-length texts It contributes to the tradition of beautiful Garamond-inspired typefaces, often called “Guaraldi” or “Old Style,” and has 8 named weights, in Roman and Italic, and is available as a Variable Font with a Weight axis.
Crushed
Crushed was designed in 2010 as a headline and display typeface. Featuring a condensed body width and subtlely tapered vertical strokes, Crushed is a unicase design, tossing aside the traditional lowercase for one that matches the cap height. Though intended for display, Crushed actually looks great and reads well in text usage. The gentle taper of the stems adds a certain class and the basic letterforms are modern and fresh.
Cuprum
Cuprum was created in 2006 based on the works of Miles Newlyn. Cuprum is a narrow grotesque. It is quite versatile. Mostly how it is now, I do not like myself, because as time passed and since then I have learned to make fonts much better. An interesting history of the appearance of his name: Cuprum is copper, not gold or silver. Copper is too noble, but it is much cheaper and copper is not used for medals – only for pots.
Cutive
The design of Cutive, and this monospace sister family Cutive Mono, is based on several classic typewriter typefaces, in particular, the faces of IBM’s ‘Executive,’ and the older ‘Smith-Premier.’ In Cutive these old faces re-emerge as web fonts that are useful for adding character to body texts as well as in larger sizes for headers and display.
Dancing Script
Dancing Script is a lively casual script where the letters bounce and change size slightly. Caps are big and go below the baseline. Dancing Script references popular scripts typefaces from the ’50s.
Dekko
Dekko’s personality is both warm and casual. It originated with Modular InfoTech’s 4948 and was modified to feel more written and regular in appearance and weight. The inter-letter spacing of the design is now wider, allowing for it to be used at smaller sizes on screens.
Didact Gothic
Didact Gothic is a sans-serif font designed to present each letter in the form most often used in elementary classrooms. This makes it suitable for literacy efforts.
Diplomata SC
Diplomata SC was created several years ago when a friend in the printing industry who had an old metal typeface wanted it to be digitalized for offset printing. He brought everything the original type offered as a start, a set of upper case characters, numbers, and some punctuation marks.
Dosis Regular
Dosis is a rounded sans-serif type family. It started with the Extra Light style, useful only at size 36pt or upm and the Extended Latin character set included many alternative characters, all designed by Edgar Tolentino and Pablo Impallari.
Dr Sugiyama
The Charles Bluemlein Script Collection is an intriguing reminder of the heady days of hand lettering and calligraphy in the United States.
Droid Serif
Droid Serif is a contemporary serif typeface family designed for comfortable reading on screen. Droid Serif is slightly condensed to maximize the amount of text displayed on small screens. Vertical stress and open forms contribute to its readability while its proportion and overall design complement its companion, Droid Sans.
Duru Sans
Duru Sans is a low contrast sans serif, a classic 20th-century genre. It is a new take on mixing the humanist urge with the modernist one, that manages to be elegant and a workhorse at the same time. It can be used in a wide range of sizes.
Eczar Regular
Eczar started as a student project in 2010–11 during Vaibhav Singh’s MA studies in Typeface Design at the University of Reading. Eczar was designed to bring liveliness and vigor to multi-script typesetting in Latin and Devanagari – to provide an alternative to existing designs by imparting a strong mix of personality and performance, both at text sizes and in display settings.
Emblema One
Emblema One is inspired by the UK Victorian era bold italic display type. It breaks from tradition by using a stenciled kind of construction. The stencil style too is atypical and gives the font it’s distinctive feeling. Emblema One has been made for display purposes and should be used in medium to large sizes.
Erica One
Erica is a voluptuous contemporary tribute to the sans serif work of Eric Gill that is mixed with the painter Botero.
Euphoria Script
Euphoria Script is an informal script type. It began with letterform sketches made by hand with a copperplate nib, which were redrawn digitally with the stroke endings of a brush script. This makes the type seem playful, which is important in casual scripts.
Exo 2 Medium
Exo 2 is a complete redrawing of Exo, a contemporary geometric sans serif typeface that tries to convey a technological/futuristic feeling while keeping an elegant design.
Farsan
Farsan is a single-weight typeface that supports the Gujarati and Latin scripts.
Fascinate
Fascinate and Fascinate Inline are nods to Art Deco yesteryear and typefaces like Broadway, yet they have an exaggerated x-height and softness that give them a friendly yet sophisticated vibe.
Fascinate Inline
Fascinate and Fascinate Inline are nods to Art Deco yesteryear and typefaces like Broadway, yet they have an exaggerated x-height and softness that give them a friendly yet sophisticated vibe.
Fira Sans Medium
Designed to integrate with the character of the Mozilla FirefoxOS, the Fira typefaces also aim to cover the legibility needs for a large range of handsets varying in screen quality and rendering.
Forum
The Forum Font has antique, classic “Roman” proportions. It can be used to set body texts and works well in titles and headlines too. It is truly multilingual, with glyphs for Central and Eastern Europe, Baltics, Cyrillic, and Asian Cyrillic communities.
Francois One
Francois One is a reworking of many traditional sans serif gothic display typeface forms. These letterforms have been reshaped for use on the web, such as opening up the counters a little and optimizing the stems for use in bold display typography. Slanted stem terminals have been added to give a hint of playfulness to the design.
Freckle Face
Freckle Face draws its inspiration from Pillbury’s Funny Face drink mix packages. I loved these drink mixes when I was a kid, not only because of the great flavors, but also the fun packaging. Who knew I’d renew the love affair later by finding myself loving the lettering too!
Fredoka One
Fredoka One is a big, round, bold font that is perfect for adding a little fun to any headline or large text.
Gilda Display
Gilda Display is a font of classic proportions, in which we can see the finest treatment of curves, strokes, and serifs. The high stroke contrast has especially smooth transitions, making this type perfect for the world of fashion, jewelry, and luxury items.
Give You Glory
Give You Glory is a mixed-case font is a quirky, fun font infused with that special “something” that makes it feel authentic. I love that it isn’t perfect or traditional but that it has the flow of real handwriting – complete with the mixed-case style so many of us use in our daily writing.
Glass Antiqua
This is the revival of the 1913 typeface “Glass Antiqua” by “Genzsch & Heyse” found in the Taschen book “Type: A Visual History of Typefaces and Graphic Styles, 1901-1938.” A magnificent and unique design with a Jugenstile fleur, combining Slab Serif and Antiqua, plus elements of cursive calligraphy.
Glegoo
Glegoo is a truly modern slab serif. It has a precise balance of shapes, counterforms, and strokes. Glegoo is slightly condensed and has a large x-height, short ascenders/descenders, and large counterforms. These attributes all add up to help reading text, even in very small sizes.
Gloria Hallelujah
Gloria Hallelujah is based on the handwriting of a Korean high school student. It is fun and reminds me of comic-style writing. It looks great in all caps and is easy to read.
Gochi Hand
Gochi Hand is a typographic interpretation of the handwriting of a teenage girl. The style is fresh, not like the letters made by a calligrapher, but those of an ordinary person.
Graduate
Graduate is a high-quality example of the classic college block style of lettering used across every campus in the USA.
Grand Hotel
Grand Hotel finds its inspiration from the title screen of the 1937 film “Cafe Metropole” starring Tyrone Power. This condensed upright connecting script has a classic vibe to it.
Great Vibes
Great Vibes is a beautifully flowing script with casual uppercase forms combined with more formal lowercase letters. It has over 400 glyphs, with smooth connecting ligatures and alternate characters.
Gruppo
Gruppo was conceived as a display typeface for the style-conscious, laid-back branding where ‘little is more, or, in Jasper Morrison’s words, “Special is generally less useful than normal”.
Hammersmith One
Hammersmith One is a very low contrast typeface inspired by the Johnston UK lettering tradition. Hammersmith One shows the quirks of somewhat naive, handmade, brush written letters including a wider than normal “e” and “s” as well as dark joins between strokes which are normally compensated for in type.
Heebo Regular
Heebo is a Hebrew and Latin typeface family, which extends Christian Roberton’s Roboto Latin to Hebrew. The Hebrew was drawn by Oded Ezer and the font files were mastered by Meir Sadan.
Herr Von Muellerhoff
Alejandro Paul and Sudtipos bring the Bluemlein scripts back to life in a set of expanded digital versions, reflecting the demands of today’s designers. Extreme care has been taken to render the original scripts authentically, keeping the fictitious names originally assigned to them by Bluemlein
Homemade Apple
Nothing says down-home goodness like a delicious Homemade Apple pie. For a good one, you have to make it yourself. Should you find yourself lacking in the recipe department, use this beautifully drawn cursive handwriting script font to give a personal touch.
IBM Plex Mono
IBM Plex™ is an international typeface family designed by Mike Abbink, IBM BX&D, in collaboration with Bold Monday, an independent Dutch type foundry. Plex was designed to capture IBM’s spirit and history and to illustrate the unique relationship between mankind and machine—a principal theme for IBM since the turn of the century.
IBM Plex Sans
IBM Plex™ is an international typeface family designed by Mike Abbink, IBM BX&D, in collaboration with Bold Monday, an independent Dutch type foundry. Plex was designed to capture IBM’s spirit and history and to illustrate the unique relationship between mankind and machine—a principal theme for IBM since the turn of the century.
IBM Plex Serif
IBM Plex™ is an international typeface family designed by Mike Abbink, IBM BX&D, in collaboration with Bold Monday, an independent Dutch type foundry. Plex was designed to capture IBM’s spirit and history and to illustrate the unique relationship between mankind and machine—a principal theme for IBM since the turn of the century.
Josefin Sans Regular
The idea of the Josephine Sans Regular typeface is to be geometric, elegant, with a vintage feeling, for use in larger sizes. It is inspired by geometric sans serif designs from the 1920s. The x-height is halfway from baseline to cap height, an unusual proportion.
Josefin Slab
Josefin Slab was the first typeface–at least in my mind–I designed! But I decided to start simple with Josefin Sans. Following the 1930s trend for geometric typefaces, it just came to me that something between Kabel and Memphis with modern details will look great.
Julius Sans One
Julius Sans One is a sans serif typeface family from Chilean type foundry LatinoType.
Jura Medium
Jura is a family of sans-serif fonts in the Eurostile vein. It was originally inspired by some work I was doing for the FreeFont project in designing a Kayah Li range for FreeMono. The Latin alphabet is using the same kinds of strokes and curves as the Kayah Li glyphs, and thus Jura was born. It has been expanded to include glyphs for the Cyrillic and Greek alphabets as well.
Just Another Hand
Just Another Hand is a narrow brush-drawn handwriting font, inspired by the handwriting of the creator’s high school days.
Kalam Light
Kalam is a handwriting font family that supports the Devanagari and Latin writing systems. Even though Kalam’s letterforms derive from handwriting, the fonts have each been optimized for text usage on the screen.
Karma Medium
Karma is an Open Source multi-script typeface supporting both the Devanagari and the Latin script. The family was developed for use in body text on screen, and five fonts are available
Kaushan Script
When making digital typefaces, the more you refine the shapes of the letters, the more energy you take away from them. Because of that, Kaushan Script is unrefined – and carries a lot of energy.
Kavoon
Kavoon is a display face based on experiments with brush and ink. Kavoon’s expressive features make words vivid and powerfully draw the reader in. Kavoon may be used in medium to large sizes.
Kite One
Kite One is a rounded, monoline, humanist sans serif typeface. With an inclination of 7 degrees, it gives a fluid reading experience. Long ascenders and descenders, soft shapes, open counterforms, and soft terminals, make Kite One a typeface that is very suitable for long texts, especially those associated with the natural world or children’s tales.
Kumar One
Kumar is a series of matching Open Source display fonts. They each support the Gujarati and Latin scripts. The two Kumar fonts may be used together, or entirely on their own.
Kumar One Outline
Kumar One Outline is a vertical-contrast design, in which both the downstrokes as well as the left and right-hand sides of each letterform are built up out of two parallel lines and the white space in-between them. The upstrokes and typeface’s horizontals are just thin, single lines.
Kurale
Kurale is a Latin, Cyrillic, and Devanagari typeface derived from Gabriela. The Latin and Cyrillic is a serif typeface with soft shapes and special terminal forms which are shaped like curls.
Laila Medium
Laila is an informal sans serif design with brush terminals. It has a very contemporary, 21st-century appearance. Text set in Laila appears friendly, or even cute! Laila looks especially good in headlines. It is a display typeface, but it may also be used to set shorter passages of text, too.
Lalezar
Lalezar is an Arabic and Latin display typeface for popular culture.
Lancelot
Lancelot is a new ornate serif type based on French traditions. It has two sets of capitals, swash and classical.
Lato
Lato is a sans serif typeface family started in the summer of 2010 by Warsaw-based designer Łukasz Dziedzic (“Lato” means “Summer” in Polish). In December 2010 the Lato family was published under the Open Font License by his foundry tyPoland, with support from Google.
League Gothic
League Gothic is a revival of an old classic: Alternate Gothic. It was originally designed by Morris Fuller Benton for the American Type Founders Company in 1903. The League Of Moveable Types decided to make their version, and contribute it to the Open Source Type Movement.
League Script
League Script is a modern, coquettish script font that sits somewhere between your high school girlfriend’s love notes and handwritten letters from the ’20s. Designed for the League of Moveable Type, it includes ligatures and will act as the framework for future script designs.
Ledger
The austere and concise personality and flexibility make Ledger a real multiple-purpose typeface. The letterforms are distinguished by a large x-height, sufficient stroke contrast, robust but elegant wedge-like serifs, and terminals.
Lekton
Lekton has been designed at ISIA Urbino, Italy, and is inspired by some of the typefaces used on the Olivetti typewriters.
Lemonada Light
Lemonada is a modern Arabic and Latin typeface family designed by Mohamed Gaber and Eduardo Tunni. It started with the Latin design Lemon, which Eduardo Tunni expanded to four weights. The Arabic was designed by Mohamed Gaber.
Liberation Sans
The Liberation Fonts is a font family which aims at metric compatibility with Arial, Times New Roman, and Courier New. It is sponsored by Red Hat.
Libre Baskerville
Libre Baskerville is a web font optimized for body text (typically 16px.) It is based on the American Type Founder’s Baskerville from 1941, but it has a taller x-height, wider counters, and a little less contrast, which allow it to work well for reading on-screen.
Libre Franklin Medium
Libre Franklin is an interpretation and expansion of the 1912 Morris Fuller Benton classic.
Life Savers
Do you remember the “Life Savers” candies ads from the 50s? That was a time when Ad Agencies hired Lettering artists for their advertising text. Before the advent of Photo Typesetting, all the text was beautifully drawn by hand.
Lilita One
Lilita One is a display typeface with a fat look, ideal for headlines and short texts. With a slightly condensed structure and some eye-catching details, it adds personal and soft looks to any page.
Limelight
Limelight is a sensitive rendition of the classic high contrast art deco style geometric sans serif. This style is often used to suggest the 1920’s period as well as the theatre generally and Hollywood filmmaking in particular. Because of the extreme contrast of the design, it will perform most reliably on web pages at medium and large font sizes.
Lobster
The Lobster font took a different approach. The new OpenType format gives us the possibility to have multiple versions of each letter, and that’s exactly what we are doing: Instead of compromising the design of our letters to force connections, we do what lettering artists do.
Lobster 2
Lobster Two is a family version of the original Lobster.
Londrina Shadow
The Londrina super-family is composed of 4 family styles: Londrina Solid, Londrina Shadow, Londrina Solid, and Londrina Outline. You can combine the main style, Solid, with the others to create different effects.
Londrina Sketch
The Londrina super-family is composed of 4 family styles: Londrina Solid, Londrina Shadow, and Londrina Outline, and Londrina Sketch. You can combine the main style, Solid, with the others to create different effects.
Londrina Solid
The Londrina super-family is composed of 4 family styles: Londrina Solid, Londrina Shadow, Londrina Solid, and Londrina Outline. You can combine the main style, Solid, with the others to create different effects.
Lora
Lora is a well-balanced contemporary serif with roots in calligraphy. It is a text typeface with moderate contrast well suited for body text.
Luckiest Guy
Luckiest Guy is a friendly heavyweight sans serif typeface inspired by 1950s advertisements with custom hand lettering.
Lustria
Lustria is a rounded-serif text typeface with details that make it interesting to use a larger display size as well. Starting in 1999, this typeface has been aged to perfection and is finally ready for public consumption.
Maiden Orange
Maiden Orange is a light and festive slab serif font inspired by custom hand-lettered 1950s advertisements. Clean and legible, while also being offbeat and friendly, this font lends itself to a wide variety of uses. From children’s stories to the retro-inspired, take Maiden Orange for a spin.
Maitree Regular
Maitree means “friendliness” in Thai. Maitree is a serif Latin and looped Thai typeface with wide proportions. It is characterized by its bigger-than-usual looped terminal in Thai, and long serifs in Latin, that balance out the whole structure. Maitree offers 6 weights, and its asymmetrically curved terminals are well-suited for both formal and casual usage, especially for works that require an antique and historical manner.
Mallanna
Mallanna is a Telugu font with round letterforms and a uniform thickness that reminds us of the round pearls Hyderabad is famous for. It looks very crisp even at small point sizes, which helps publishers make beautiful designs, and includes complex Telugu conjunct letters.
Marcellus
Marcellus and Marcellus SC (small caps) are a set of flared serif typeface families, inspired by classic Roman inscription letterforms.
March
March is a modern and clean display (Serif) font created by our talented font designer. The design of March will make your design more beautiful and inspiring. This font will suitable for any project, like branding, print template, logo, etc.
Martel Regular
Martel is a libre font development project. Begun in 2008 in the Department of Typography & Graphic Communication at the University of Reading, the first weights of the font family (Martel UltraLight, Light, Regular, DemiBold, Bold, ExtraBold, and Heavy) were released in 2014.
Martel Sans Regular
The Martel Sans typeface is designed for typesetting immersive documents. It may be used to set long passages of text in languages that are written in the Devanagari script, including Hindi, Marathi, Nepali, Sanskrit, and others.
Maven Pro Regular
Maven Pro is a sans-serif typeface with unique curvature and flowing rhythm. Its forms make it very distinguishable and legible when in context. It blends styles of many great typefaces and is suitable for any design medium. Maven Pro’s modern design is great for the web and fits in any environment.
Megrim
Megrim is an experimental font covering most of the basic Western Latin character set. It has stylistic alternates.
Merriweather
Merriweather was designed to be a text face that is pleasant to read on screens. It features very large x-height, slightly condensed letterforms, mild diagonal stress, sturdy serifs, and open forms.
Merriweather Sans Light
Merriweather Sans is a low-contrast semi-condensed sans-serif text typeface family designed to be pleasant to read at very small sizes. Merriweather Sans is traditional in feel despite the modern shapes it has adopted for screens.
Michroma
Michroma is a reworking and remodeling of the rounded-square sans genre that is closely associated with a 1960s feeling of the future. This is due to the popularity of Microgramma, designed by Aldo Novarese and Alessandro Buttiin in 1952, which pioneered the style; and the most famous typeface family of the genre that came 10 years later in Novarese’s Eurostile.
Mizra
Mirza is a body text typeface based on the Naskh script, with 4 different weights. The design aims to observe the rules of Arabic and Persian aesthetics with the help of ligatures. Mirza includes a Latin typeface designed in harmony with the Arabic, to make it useful for multilingual texts.
Mogra
Mogra (મોગરા) is a display typeface that supports the Gujarati and Latin scripts. With dense letterforms that borrow heavily from a broad-nibbed marker, Mogra emphasizes the definitive Gujarati out-stroke with mass, weight, and flair.
Mokoto
Mokoto is the ideal display or lead font for designs web, print projects, contemporary posters, forward-looking motion graphics, video games, cover CD Album, and other items like logos, posters/flyers, branding, packaging, pictograms, etc.
Monda
The Monda font family is libre. It has been designed to be used freely across the internet by web browsers on desktop computers, laptops, and mobile devices.
Montserrat
The old posters and signs in the traditional Montserrat neighborhood of Buenos Aires inspired Julieta Ulanovsky to design this typeface and rescue the beauty of urban typography that emerged in the first half of the twentieth century.
Mr Dafoe
The Charles Bluemlein Script Collection is an intriguing reminder of the heady days of hand lettering and calligraphy in the United States. From the early 1930s through World War II, about 200 professional hand letterers were working in New York City alone.
Muli Regular
Muli is a free, open-source sans-serif typeface designed by the prolific Vernon Adams, creator of numerous other open-source fonts available on Google Fonts.
News Cycle
News Cycle is a realist, sans-serif typeface based primarily on a revival of the 1908-era News Gothic, the stalwart newspaper face from American Type Founders (ATF).
Niconne
Niconne is based on the designs of the Stephenson Blake typeface, Madonna, first released in 1925. Madonna itself was based on an earlier face known as ‘Bernhard Cursive’. Nicone has been redesigned and shaped to create a new version of the 1925 typeface that can now be used freely as a Libre Webfont across the internet by web browsers on desktop computers, laptops, and mobile devices.
Nixie One
Nixie One is like Chinese food. We take the chicken and mix it with pineapple. For one minute we think that the taste will at least be strange, but it is so harmonious and beautiful, what do you know, why didn’t you try this earlier? This font is a mixture of neon tubes signage and a typewriter: A thoroughbred mix of chicken and pineapple.
Noticia Text
Noticia Text is a contemporary humanist slab serif typeface designed to be used for running text on digital newspapers (both on websites and mobile apps). It has a large x-height, ample proportions, big serifs, and large apertures that allow the letters to be clear, even at small sizes on low-resolution screens.
Noto Sans
Noto is a global font collection for writing in all modern and ancient languages. Noto Sans is an unmodulated (“sans serif”) design for texts in the Latin, Cyrillic, and Greek scripts, which is also suitable as the complimentary choice for other script-specific Noto Sans fonts.
Noto Serif
Noto is a global font collection for writing in all modern and ancient languages. Noto Serif is a modulated (“serif”) design for texts in the Latin, Cyrillic, and Greek scripts, also suitable as the complementary font for other script-specific Noto Serif fonts.
Nunito
Nunito is a well-balanced sans serif typeface superfamily, with 2 versions: The project began with Nunito, created by Vernon Adams as a rounded terminal sans serif for display typography.
Old Standard
Old Standard reproduces a specific type of Modern (classicist) style of serif typefaces, very commonly used in various editions of the late 19th and early 20th century, but almost completely abandoned later.
Oleo Script
Oleo is a flowy yet legible non-connected script typeface. It is perfect for situations where a quaint and casual lettering effect is desired. Suitable for various typography contexts including captions, headlines, packaging, invitations, cards, posters, advertising, greeting cards, and book jackets.
Open Sans
Open Sans is a humanist sans serif typeface designed by Steve Matteson, Type Director of Ascender Corp. This version contains the complete 897 character set, which includes the standard ISO Latin 1, Latin CE, Greek, and Cyrillic character sets.
Oranieumbaum
Oranienbaum is a modern high contrast Antiqua with well-defined, recognizable features. Based on the architecture of classic Antiqua fonts, such as Bodoni, Oranienbaum is typical of the typefaces from the first quarter of the 20th century: pronounced serifs, contrasting geometry, and an interplay of right angles and flowing lines. The font is well suited for both headlines and body text.
Oregano
The Oregano family is based on cartoon-style lettering of calligrapher and logo designer Rand Holub. This style of hand lettering adorned many retro brochures and advertisements of the late 40s through the 1960s.
Oswald
Oswald is a reworking of the classic style historically represented by the ‘Alternate Gothic’ sans serif typefaces. The characters of Oswald were initially re-drawn and reformed to better fit the pixel grid of standard digital screens.
Over the Rainbow
Over The Rainbow is a font always makes me smile. Something about the style of the handwriting just makes me feel happy. It is slightly connected but not a true script by any means & will lend an upbeat feel to any project you use it on.
Ovo
Ovo was inspired by a set of hand-lettered caps seen in a 1930s lettering guide. The capitals suggested the time in which they were made because of the soft serif treatment used.
Pacifico
Aloha! Pacifico is an original and fun brush script handwriting font by Vernon Adams which was inspired by the 1950s American surf culture in 2011. It was redrawn by Jacques Le Bailly at Baron von Fonthausen in 2016. It was expanded to Cyrillic by Botjo Nikoltchev and Ani Petrova at Lettersoup in 2017.
Parisienne
Parisienne is a casual connecting script inspired by a 1960s Bra advertisement! It has a slight bounce and intentional irregularity to what might other wise appear to be a more formal script font. Classic, yet free spirited, it is a typestyle for a wide variety of use.
Passion One Regular
Passion One is a set of 3 display fonts aimed to composing titles in big sizes. Its counterforms decrease as the passion increases! Please use them only for your most passionate thoughts and ideas.
Pathway Gothic One
Pathway Gothic One is a narrow grotesque sans typeface, a very popular style in the history of typography. This book weight is the first of many.
Permanent Marker
Permanent Marker represents the look and feel of a favorite writing instrument.
Pinyon Script
Pinyon Script is a romantic round hand script style font. It also sports swashes which are confident and showy somehow giving the type a feeling suggestive of the American west.
Playfair Display
Playfair Display is a transitional design. In the European Enlightenment in the late 18th century, broad nib quills were replaced by pointed steel pens as the popular writing tool of the day.
Playfair Display SC
This design lends itself to this period, and while it is not a revival of any particular design, it takes influence from the designs of John Baskerville and from ‘Scotch Roman’ designs. Playfair Display SC, being a Display (large size) design in the transitional genre, functionally and stylistically it can accompany Georgia for body text.
Podkova Regular
Podkova is the Russian word for Horseshoe, and this is a monoline slab serif with diagonal terminals. The wide proportions and clean features aid legibility at small sizes, while the unusual letterforms provide enough character to be useful for display typography too.
Prata
Prata is an elegant Didone typeface with sharp features and organic teardrops. There is a certain tension in the contrast of its virile serifs and soft refined curves. Its triangular serifs complement and accent the thin strokes, and the high contrast means it will work best in display sizes.
PT Sans
PT Sans was developed for the project “Public Types of Russian Federation.” The second family of the project, PT Serif, is also available.
PT Serif
PT Serif™ is the second pan-Cyrillic font family developed for the project “Public Types of the Russian Federation.” The first family of the project, PT Sans, was released in 2009.
Quando
Quando is a serifed text typeface inspired by brushy handwritten letters seen on an italian poster from the second world war. Quando is a flexible text typeface made for the web whose personality consistently shows in both small and large sizes.
Quattrocentro
The Quattrocento Roman typeface is a Classic, Elegant, Sober and Strong typeface.
Their wide and open letterforms, and the great x-height, make it very legible for body text at small sizes. And their tiny details that only shows up at bigger sizes make it also great for display use.
Questrial
Questrial is the perfect font for body text and headlines on a website. It’s modern style, suited with past characteristics of great typefaces, make it highly readable in any context.
Questrial is the perfect font for body text and headlines on a website. It’s modern style, suited with past characteristics of great typefaces, make it highly readable in any context.
Quicksand
Quicksand is a display sans serif with rounded terminals. The project was initiated by Andrew Paglinawan in 2008 using geometric shapes as a core foundation. It is designed for display purposes but kept legible enough to use in small sizes as well.
Quintessential
The Quintessential typeface is a calligraphic lettering style based on the Italic Hand. As speed became more essential in writing hands, styles became less formal and more relaxed.
Racing Sans One
Around 1800 (100 years before Helvetica and Univers) the Racing Sans One was the first Sans Serif typefaces to include lowercase letters used to have very High Contrast (the difference between thick and thin lines). Maybe because the were derived from the more traditional serif typefaces of the time.
Radley
Radley is based on lettering originally drawn and designed for woodcarved titling work. It was later digitized and extended to be used on the web. Radley is a practical face, based on letterforms used by hand carvers who cut letters quickly, efficiently, and with style.
Rajdhani Medium
Rajdhani Medium has modularized letterforms and supports the Devanagari and Latin writing systems. The squared and condensed appearance may be interpreted as technical or even futuristic.
Rakkas
Rakkas is single-weight display typeface that supports the Arabic and Latin scripts. The two scripts share a united style, with neither pretending to be the other, and each interesting in its own right.
Raleway
Raleway is an elegant sans-serif typeface family. Initially designed by Matt McInerney as a single thin weight, it was expanded into a 9 weight family by Pablo Impallari and Rodrigo Fuenzalida in 2012 and iKerned by Igino Marini. A thorough review and italic was added in 2016.
Ramabhandra
Ramabhadra is a Telugu font developed for use in headlines, posters and at large sizes. The letterforms are very round and have a uniform thickness, and the terminals have a small temple shape that appear like a sans-serif design.
Rasa Medium
Rasa Medium was intended for continuous reading on the web (longer articles in online news, magazines, blogs), Rasa supports over 92 languages in Latin and 2 in Gujarati script (Gujarati and Kachchi).
Redressed
Redressed is a medium weight typeface which blends script and italic letterforms together in an upright non-connecting style. Open spacing and stylish letterforms lend themselves to titling, but also to clean legibility at smaller sizes as body copy.
Ribeye
Ribeye and Ribeye Marrow are reminiscent of a cartoon tattoo style of lettering, but exhibit a playfulness that breaks traditional weight distribution across its letterforms.
Roboto
Roboto has a dual nature. It has a mechanical skeleton and the forms are largely geometric. At the same time, the font features friendly and open curves.
Roboto Mono Regular
Roboto Mono Regular is a monospaced addition to the Roboto type family. Like the other members of the Roboto family, the fonts are optimized for readability on screens across a wide variety of devices and reading environments.
Roboto Slab Regular
Roboto Slab Regular has a dual nature. It has a mechanical skeleton and the forms are largely geometric. At the same time, the font features friendly and open curves.
Rokkit Medium
Rokkitt Medium was initiated by Vernon Adams when he was inspired by the type forms of a number of distinctive geometric slab serifs, sometimes called Egyptians, popular in the late nineteenth and early to mid twentieth centuries.
Ropa Sans
Ropa Sans is an open-source subset of the Ropa Sans Pro family. Ropa Sans Pro consists of 8 weights plus extra designed italics and small caps, with extensive coverage of Latin and essential coverage of Cyrillic and Greek scripts, and is available commercially from lettersoup.de.
Rozha One
Rozha One is a very high contrast Open Source font, which currently offers support for the Devanagari and Latin scripts. Created primarily for display use, the extreme difference between its letters’ thick and thin strokes make it an excellent choice for large headlines and poster-sized graphics.
Rubrik Mono
Rubik Mono is a sans serif font family with slightly rounded corners designed by Philipp Hubert and Sebastian Fischer at Hubert & Fischer as part of the Chrome Cube Lab project.
Rubik One
Rubik One is a sans serif font family with slightly rounded corners designed by Philipp Hubert and Sebastian Fischer at Hubert & Fischer as part of the Chrome Cube Lab project.
Rufina
Rufina combines features of several typographic styles with Bodoni forms found in the calligraphy of flexible tip pens. High contrast enables it to work well in text and headlines.
Sacramento
The Sacramento typeface is a monoline, semi-connected script inspired by hand-lettering artist brochure work of the 1950’s and 1960’s. It stands on a thin line between formal and casual lettering styles, yet it has a commanding presence for headlines and titles.
Sahitya
Sahitya is a Devanagari typeface family based on the Latin Alegreya fonts. It was designed to match the style and feel of the original Latin characters. Juan Pablo del Peral designed the Latin, and led the design of the Devanagari with Sol Matas.
Sanchez
Sanchez is a slab serif typeface family from Chilean type foundry LatinoType.
Satisfy
Looking for a brush script with a little pizazz? This new Sideshow typeface will fill the bill! Satisfy gives you the look of a timeless classic with a unique modern flair. Download this font by designer Squid and you’ll be satisfied!
Scope One
Scope One is a light slab serif typeface with elegant expressions that make it broadly useful for many different contexts. The design is optimized for titling and display usage and is ideally used at 14 points and above.
Sigmar One
Sigmar is a casual, display specific webfont. It’s design is based upon various fonts found in mid twentieth century pulp magazine advertising.
Signika
Signika variable font is a sans-serif with a gentle character, developed for wayfinding, signage, and other media where clarity of information is required.
Six Caps
Six Caps is a highly condensed and tight display font. It is a stripped down and normalized version of classic grotesque display letterforms.
Sniglet
Sniglet is rounded display face that’s great for headlines.
Sorts Mill Goudy
Sorts Mill Goudy is a revival of Frederic Goudy’s ‘Goudy Oldstyle’ with Regular and Italic styles, and extended Latin character coverage.
Source Sans Pro
Source® Sans Pro, Adobe’s first open source typeface family, was designed by Paul D. Hunt. It is a sans serif typeface intended to work well in user interfaces.
Space Mono
Space Mono is an original fixed-width type family designed by Colophon Foundry for Google Design. It supports a Latin Extended glyph set, enabling typesetting for English and other Western European languages.
Special Elite
Special Elite mimics the Smith Corona Special Elite Type Number NR6 and Remington Noiseless typewriter models.
Squada One
Squada One is the perfect font to make a lasting impression on any webpage. Its bold presence and geometric, condensed form allow for setting in any context. Squada One can be used at any size while still maintaining clarity and smoothness.
Sriracha
Sriracha is a new Thai + Latin handwriting typeface, with an informal loopless + sans serif design. It has 2 stylistic set alternate glyph designs and intelligent OpenType features to recreate the impression of handwriting.
Stardos Stencil
Stardos is a stencilled serif font designed to be used a display-only webfont. Stardos Stencil has been designed to be used freely across the internet by web browsers on desktop computers, laptops, mobile devices, and Cloud systems.
Sue Ellen Francisco
Sue Ellen Francisco is a tall, skinny font based on real handwriting. It was created in Adobe Illustrator, using a Wacom tablet.
Suez One
Suez One is an original Hebrew and Latin display serif typeface with a single weight. The Hebrew design for a modern serif is inspired by Hebrew calligraphy. It is intended for use in headline and display typography that needs a strong contemporary style.
Suranna
Suranna is a Telugu font developed mainly for the use in news publications. It has a unique shape due its heavy weight at the bottom of letters, and it includes many conjunct glyphs.
Tangerine
Tangerine is a calligraphic typeface inspired by many italic chancery hands from the 16th and 17th centuries. Its tall ascender, the most distinct characteristic of this type, takes a wide line space between lines and gives a graceful texture.
Tenor Sans
Tenor Sans is a humanist sans-serif typeface designed by Denis Masharov. Intended for the setting of body text, it can also be applied to headlines. Optimized for print and web, it has excellent legibility characteristics in its letterforms.
Titillium Web Regular
Titillium is born inside the Accademia di Belle Arti di Urbino as a didactic project Course Type design of the Master of Visual Design Campi Visivi.
Trocchi
Trocchi is a design derived from a number of old faces from the English typecutter Vincent Figgins (1766-1844) including Nebiolo’s ‘Egiziano’, and Caslon & Co’s ‘Antique No.4′ and ‘Ionic No.2′.
Trochut
Trochut is a funny geometric typeface developed by Andreu Balius as an homage to Joan Trochut Blanchart (1920-1980) from its Bisonte type specimen.
Ubuntu
The Ubuntu Font Family are a set of matching new libre/open fonts in development during 2010-2011. The development is being funded by Canonical Ltd on behalf the wider Free Software community and the Ubuntu project.
Ultra
Ultra is an ultra bold slab typeface with nods to wood type styles like Clarendon and Egyptian. Strong and dramatic letterforms for titling, a serious, yet friendly, and easily legible typestyle. Perfect for power headlines and titling for impact.
Underdog
Underdog is an informal typeface with broken corner lines. It can serve many different purposes, in posters, magazine headlines or on food packaging. It changes its mood as the context of use changes: it can be playful in a childish design, feel punk in musical posters, unceremonious in fashion magazines or aggressive in a warning poster.
Unna
Unna has a soft look that is expressed through delicated serifs and strong stems, thus accentuating the typical neoclassical vertical texture. The type designer, Jorge de Buen, was inspired to name this design with the surname of his mother.
Vampiro One
Vampiro One is a low contrast script font. It was inspired by the 20th century Italian tradition of monoline scripts. Vampiro One is best used for display purposes at medium to large sizes.
Varela Round
Varela Round is based on the well known font Varela. The rounded corners make it perfect for a soft feel and work great at any size. It is suitable for headlines and printed collateral, and maintains its distinct properties amongst other objects. Varela Round is a great font for any website.
Vast Shadow
Vast is a Victorian slab serif advertising type. Vast has a feeling of sturdy solidity combined with just a little bit of refinement. Because Vast Shadow has a thin shadow that won’t display well at small sizes we recommend that you use it from 32px and larger.
Vidaloka
Vidaloka is a Didone display typeface for headlines and short blocks of text. Because of its high contrast it will work best from 16px and above.
Vollkorn
Vollkorn came into being as the first typeface design by Friedrich Althausen. First published in 2005 under a Creative Commons license, it was soon downloaded thousands of times and used in all kinds of web and print projects.
Walter Turncoat
Contrary to popular lore, Walter Turncoat was NOT a traitor executed during the Revolutionary War. Actually, Walter spent his days carefully executing new typefaces doing his part to help establish a free press! Ever the patriot, Squid honors old Walter with this spiffy font sure to bring out the Yankee Doodle in you.
Wellfleet
Wellfleet is a versatile low-contrast slab serif text typeface with a a bouncy and upbeat feeling. It was inspired by German poster lettering. Despite having display letters as a source of inspiration, Wellfleet is functional in a wide range of sizes.
Yanone Kaffeesatz Regular
“Yanone Kaffeesatz” was first published in 2004 and is Yanone’s first ever finished typeface. Its Bold is reminiscent of 1920s coffee house typography, while the rather thin fonts bridge the gap to present times.
Yatra One
Yatra One is a Devanagari and Latin libre font inspired by the hand-painted signage of the Mumbai local railway. This heavy weight high-contrast display face preserves the idiosyncratic character of brush-painted signage by featuring angular cuts and open knots.
Yellowtail
Yellowtail is an old school flavored flat brush script typeface of medium weight. It’s mix of connecting and non-connecting letterforms lend to its unique look and legibility. Yellowtail nods to classic 1930’s typestyles like Gillies Gothic & Kaufmann, yet has the loose visual cadence of sign painter scripts.
Yeseva One
A serif display type that is very feminine. I think that this is the only type in the world with such a feminine essence. Yeseva’s name is from the phrase “Yes, Eva.” As a sign of complete agreement between a man and a woman. I dedicate this font to my beloved wife.
Yesteryear
Yesteryear is a flat nib connecting script font loosely based on the title screen from the 1942 film “The Palm Beach Story”. Taking on a slightly sharper feel than its source, it evokes comparisons to chrome scripts of vintage automobilia.
Conclusion
There you have it – this is our list of all the fonts available in Squarespace and Canva. If you want more inspiration, check out our other articles on the best Squarespace fonts and Squarespace design tutorials!
